This painting is one, if not; the most widely known of Vermeer's works. There is a lot of mystery about who this girl was and the fancy head scarf. Hollywood capitalized on the popularity of this painting and made a movie in 2003 with the name "Girl with a Pearl Earring" (http://www.imdb.com/title/tt0335119/). The movie uses many known facts from Vermeer's life, including the Master relationship with Pieter Claesz Van Ruijven, a wealthy Delft citizen who was also Vermeer's main patron. The movie weaves its story around a house maid that creates a strange and tense relationship with Vermeer and Pieter Van Ruijven. Van Ruijven and his wife Maria de Knuijt were his main patrons and owned most of Vermeer's works. Therefore the movie explores the tense relationship between the wealthy patron and Vermeer's family dependency of his will and whims. As a result, the maid ends up being the model for the now iconic Girl with a Pearl Earring.

In reality, nobody knows who the model was or why would Vemeer choose such a fancy headscarf. There are no other visual references to such a garment anywhere else. The headscarf is definitely an outlier, it was a very unusual in those times and probably today too. I think he just wanted to draw attention with a colorful prop.
Since I have been exploring Vermeer's work with my photographic tools, this is one painting that I had to address. Like all other previous paintings, I wanted to add a plausible story of my own. I ended up with three related photo paintings exploring the subject.


Third; Girl With A Pearl Earring At A Window. After the tense modelling session, the little girl is now calm and at the house window, where she was looking outside her constrained inside world.
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